Taking off the gloves

Rashid Latif chalks down the cricket team’s recent failures to inconsistency.

While most people remember the Pakistan versus Bangladesh Test match at Multan in 2003 by Inzamam’s dogged 138 that saved Pakistan from a humiliating defeat, the fixture also connoted a premature farewell to the Test career of Rashid Latif, one of the most efficient wicketkeeper-batsmen Pakistan ever produced.

Following a disastrous World Cup in 2003 the PCB had appointed Rashid captain of the national side. Banned for five ODIs after he claimed a dropped catch in the Multan Test, Rashid was subsequently replaced temporarily as captain — he went on to resign from the position — and finally dropped from the team altogether as the board opted for younger legs in the form of Kamran Akmal. While Akmal has failed to match the intensity his predecessors had behind the stumps, Rashid has continued to stay attached and make his mark on cricket instead of parting ways with the game.

He formed the Port Qasim cricket squad from scratch, was appointed the coach and led them to an unbeaten maiden Grade II season, including a victory in the final that saw his return to playing ways. He has also been involved in a successfully running cricket academy in Karachi that has witnessed the presence of Mohammad Sami, Danish Kaneria, Asim Kamal, Younis Khan and Shadab Kabir. Rashid acted as PCB’s wicketkeeping coach for talent-hunt schemes and short camps prior to tournaments and has been representing the Kent-based club Lashing’s XI annually.“It’s true that I have a lot on my plate but I’m enjoying it,” Rashid said after scoring a quick-fire 34 for Lashing’s XI in a Twenty20 match. “I miss playing cricket and it’s a hunger I will never be able to bury, but I’ve realised coaching youngsters and preparing them to represent their country bears more fruit.”

Grateful to his involvement with Lashing’s XI — in its fifth year — for precisely that reason, Rashid is involved at playing level while he learnt from the greats what he can pass on to others. “Playing alongside Richie Richardson, Sachin Tendulkar and Marvan Attapattu is not just good for my ego but also aids my coaching techniques as whatever I learn is then passed onto the juniors in the academy which will hopefully benefit Pakistan in the future.”

It wasn’t all an easy ride when the Allied Bank Limited cricket team was dismantled in 2003 due to management problems. “We had a decent squad that was suddenly told to find alternatives as they couldn’t play anymore. Although Port Qasim stood out among the offers I had, creating a new squad in a government organisation is not easy. I approached, and convinced, a few international players to join but upon hearing this their departments not only doubled their salaries in order to retain them, but also offered them extra incentives. With that, I decided to work with the players I had done in the past and hoped that they perform well.”

And even though Port Qasim isn’t guaranteed a promotion despite running away with the trophy, Rashid hopes it is the case, for the sake of young and talented players in his squad and because a return to first-class cricket may also see Rashid’s return to the middle with the bat after an absence of four years.

Never shying away from criticising board policies or selection mishaps, Rashid blamed Pakistan’s recent failures against better teams on inconsistency and the board’s failure to think of the future. “Perhaps the PCB was scared of losing or maybe it lacked confidence in youngsters, but we wasted a glorious opportunity against Zimbabwe and Bangladesh to test our bench-strength fully. The team now suffers when replacements fail to perform against quality opposition after being in the wilderness for months.

“Take the case of Akmal: he dropped catches consistently and instead of lining up a suitable replacement while giving Akmal a break, they opted to persist with him leaving Pakistan with either an under-performed Akmal or a relative newcomer (Sarfraz Ahmed) for the Champions Trophy.

“Asim (Kamal) performed exceptionally in domestic cricket and proved his worth in the international arena but is still being ignored and by that the selectors aren’t just letting him but the whole nation down.

“Danish Kaneria, too, deserves an extended run in ODI and Twenty20 squad and by opting to play part-time spinners and ignoring a quality spinner like him the selectors can never hope to build a consistent winning combination. Preferring Mansoor Amjad — a batsman who can bowl leg-spin — was a baffling one by the selectors.”

Before the phenomenal rise of Adam Gilchrist — who re-wrote the definition of wicketkeeper-batsman — it was more the act behind the stumps that the individual was judged upon, rather than in front. And Rashid shone brightly at that. Although clutching onto the unimaginable became his forte, it was his failure with the bat that sparked a healthy competition with Moin. And as fate would have it, his last Test match brought him only 10 runs but seven catches, and a victory.

But as he nears his 40th birthday — having spent years scouting for talent and nourishing it — Rashid is well aware of its abundance that lies in the domestic pool. “There is no dearth of talent in the country in any department of the game. We have the youth waiting to be molded into the world-class cricketers of tomorrow but it is our (his and the national selectors) duty to acknowledge their existence.”

© Faras Ghani 2008.
Published in DAWN Magazine Oct 12, 2008

Pakistan's sole entrance at LFW

Vivienne Westwood lived up to the hype as the most anticipated show of the week. Kate Moss made a successful return to the public eye by grabbing a front row seat (or a knee) — although that was laid to rest courtesy of a few tears down the cheek backstage. Sarah Brown, wife of British PM Gordon, eyed up topless male models while Pamela Anderson was spotted next to a mystery man as she sat busting at the seams.

While it was difficult to keep your eyes off the audience, the runways at London Fashion Week (LFW) reminded one and all why black is never deemed out of fashion, why being topless is considered fashion, hoodies are very much the ‘in thing’ and how the trend may very well be shifting from revealing to body conscious.

And while the mainstream designers clocked up millions of appreciation and glitter miles in the on-schedule shows, Pakistan’s sole entrée — albeit in an off-schedule show — Omar Mansoor was busy revving up a heavy load of acclaim for himself barely five miles away.

“It is a great honour just to be part of such a high profile event — unexpected even — but one that has taught me a lot and will hopefully act as a launching pad for greater ventures in the future,” Omar said of his inclusion in the list of designers for LFW.
Agreeing with the ‘black is back’ slogan, Omar’s glamorous blend of eastern upbringing and western influence once again proved a sensation.

Opting to lure a younger audience — read single and exuberant instead of mothers present at a Christmas Ball — Omar jumped in with knee-lengths while placing special emphasis on the black (five of the six outfits especially designed for of the line designed especially for LFW were black) as well as a selected few from his successful showing at Wimbledon Fashion Week in June.

“I’ve opted to go in with more of a ready-to-wear collection aimed at a younger generation, primarily in their 20s, trying to strike a balance between my knowledge of the East and the West,” he said.

Opting yet again to exhibit his work without availing services of any Asian models, it proved to be a case of seamless adoption of the East into the West, a trait he wishes to bring to Karachi in the near future.

“Even though I was nervous coming into LFW and felt under-prepared, I’ve been overwhelmed by the appreciation and well-wishes I received for my work. It wasn’t just the dresses being applauded but also how well, by looking at the outfits, one could see the Pakistani soul conflated into the knee-lengths.

“And I think I can very well take to Karachi and prove a big hit as the market over there will be very much open and welcoming to my designs and outfits.”

And as the fashion world moves to Milan — which in itself has a tough job keeping up with London after a howling performance — Omar plans to take his work outside the UK, ready to take on Pakistan in the near future.

© Faras Ghani 2008.
Published in Images (DAWN newspaper) Sep 28, 2008

London Fashion Week

Simply Outlandish

lt was perhaps an apt culmination of a religious expo taking place in West London that Outlandish, a trio of religious individuals — two devout Muslims and one Catholic — opting to tell their tales via hip-hop, were selected for the stage finale.

While the expo itself attracted thousands of visitors over the weekend, it was Outlandish that the 1,000 expectant attendees were saving their loudest cheers for, sitting through all that preceded such as recitations, donation speeches, The Sound of Reason, and Kareem Salama. What made the night bearable was the uniqueness delivered by the line-up; Mo Amer, a Palestinian comedian who featured on Allah Made Me Funny, the acoustics of The Sound of Reason, the country music of the Oklahoma-born Salama, all followed by the main attraction of the evening.

While the crowd, ranging from infants to the elderly and of 17 different nationalities, held back the loudest of their cheers for over two hours — including a prayer break — there was no respite once Amer introduced Outlandish (comprising of Waqas Ali Qadri, Lenny Martinez and Isam Bachiri) to a resounding welcome.

Opening with Walou (from the second album Bread & Barrels of Water), Outlandish, and most-notably Isam, made their presence felt. While Waqas, who had arrived in London from Karachi hours before the performance, utilised breaks between songs to crack jokes ranging from Test cricket to the joyous act that is driving in Karachi, it soon became apparent that neither did he succeed as a stand-up comedian nor was the crowd in any mood to see the comical side of Outlandish and more of the special Spanish rap by Lenny.

Due to their varied background and upbringing, Outlandish’s music blends in different cultures, religions and languages. Although their songs are primarily in English, they usually feature lyrics in Spanish, Urdu, Danish, and Arabic. And as a sneak preview to the new album (to be launched at the start of 2009) was capably delivered, the back-to-back deliverance of I’ve Seen and Only You neatly summed up the fine blend of cultures and languages that makes the band so unique. The sing-alongs, at times, surprised the band but did manage to spur them on towards the night’s final performance: Look Into My Eyes, the lyrics based on a poem written by a teenage Palestinian girl, Gihad Ali.

There was no sign of Aicha, Eyes Never Dry or Peelo as the clocked ticked towards the closing hour with pleas, and supplication, for one final performance going unanswered. However, for all that preceded the evening’s anti-climax, it was a case of a satisfied attendees reluctantly making for the exits in expectation of a dreaded Monday. A special Monday, however, for it followed one moving and enthralling, but short, Outlandish performance.

© Faras Ghani 2008
Published in Images (Dawn newspaper) Jul 27, 2008

Kaneria equally good for ODI, T20 cricket: Rashid

Rashid Latif, former Pakistan captain and wicket-keeper, has labelled Danish Kaneria “Pakistan’s main bowler in ODI and Twenty20 cricket” and has urged national selectors to include him in the ODI and T20 squad in order to improve the team’s performance.

Kaneria, currently playing for Essex, has not featured for his country at all this year owing to Australia’s refusal to tour Pakistan in March with that series being Pakistan’s sole Test series this year. He was also demoted to category C when the central contracts were handed out earlier this year.

“Our bowling is very weak at this point in time; there is no Umer Gul, and the future of Mohammad Asif and Shoaib Akhtar looks very uncertain,” Rashid said. “Even with them in the side, the main problem I see with the team is the absence of a match-winning left-arm spinner or a leg-spinner and that’s where Kaneria comes in.

Slamming the selectors for persisting with part-time spinners and ignoring a specialist in the side, Rashid argued that in the short forms of the game a team cannot solely rely on fast bowlers or part-timers and there comes a time when it needs to fall back on a quality spinner.

“Although the selectors have sidelined Kaneria, I think he’s our main bowler when it comes to ODI and Twenty20 cricket. Until and unless he is included in the playing eleven for these formats, Pakistan will never be able to have a strong bowling attack.”

Although Kaneria has only played 18 ODIs for Pakistan since making his debut in 2007 – with his last being in 2007 against Zimbabwe – taking 15 wickets in the process, he has been a regular for his county. In the current one-day county season, Kaneria has taken nine wickets in six matches at an average of under 20 as well as being the current fourth highest wicket-taker in Twenty20 competition with 18 wickets in 11 matches.

“Abdul Qadir and Mushtaq Ahmed were made into the bowlers they became by Imran Khan and Wasim Akram. Why the same can’t be applied to Kaneria is beyond my understanding.

“You can’t label him a Test bowler sitting at home without giving him an extended run in ODIs and Twenty20 cricket. Whenever he has played, there is this sword hanging over his head that he will be ousted even if he performs. You can’t do that to someone with a caliber of Kaneria. Give him confidence and he will deliver the goods, especially when the fast bowlers are not performing.”

Rashid also shrugged aside claims that Kaneria is being left out of the ODI squad due to his lack of batting skills. “By the time it’s his turn, there is either not much time left, or that the batting line-up has failed. It’s the batsmen’s duty to ensure they perform and build up a sizeable total, not Kaneria’s so you can’t keep him out because he can’t bat well.”

Citing current and recent examples like Shane Warne, Daniel Vettori and Muttiah Muralitharan, Rashid emphasised on the need for a specialist spinner in the ODI side. “Anyone who has played cricket knows that on a spinning track, teams like Australia, England and South Africa have great difficulty playing spinners when under pressure. It is due to that we must not waste Kaneria and pick him for the next ODI series that Pakistan plays.”

Rashid also became the latest of former players to question Shoaib Malik’s captaincy as well as his place in the Test side. Under Malik’s captaincy, Pakistan won the Abu Dhabi series against Sri Lanka as well as reaching the final of the World Twenty20 last year. However, a Test and ODI series loss at home to South Africa and similar results on the Indian tour followed. PakistanZimbabwe and Bangladesh as well as a tri-nations win in Bangladesh but failed to reach the Asia Cup final in front of the home crowd. did manage whitewash at home against

“After the results that we’ve had, the management needs to think whether Malik deserves to be the captain or even claim a place in the Test squad,” Rashid said. “His performance has been adequate but it’s his leadership skills that are lacking. However, he has missed crucial matches and has failed to lead the side courageously when required to do so.

"There is also a need of a specialist No.6 batsman in the side. Previously we tried playing Abdul Razzaq which did not go according to plan. You look at AB de Villiers and his innings against England and that is exactly what Pakistan needs."

© Faras Ghani 2008
Published in Dawn newspaper Jul 23, 2008

Asia Cup loss no big deal: Yousuf

Senior batsman Mohammad Yousuf has downplayed Pakistan’s failure in the recently-concluded Asia Cup and termed the team’s inadequacy to beat quality opposition as “part and parcel of the game”.

Pakistan, high in confidence after their tri-series success in Bangladesh and having home advantage for the Asia Cup, failed to beat India and Sri Lanka in crucial matches and thus missed out on a place in the final.

The wins against Hong Kong and Bangladesh, and later against India, mattered little as the host’s history of poor performances in the contest continued.

Yousuf’s non-chalance, however, came as a surprise, especially as it came a day after his pulling out of the forthcoming ICC Champions Trophy. “Winning and losing is part of the game,” he said. “We lost crucial encounters [against India and Sri Lanka] where we failed to score 300 and paid the penalty. It was a flat pitch and scoring 300 was like 250 any other day but for our failure to do so, especially against the Indian bowlers, and lost both key matches.

“However, with the amount of cricket we are playing nowadays, it’s not a big deal to be losing matches. We win some, we lose some. It happens in cricket,” he added.

With a below-par performance even by his own standards – 98 runs from four innings – Yousuf refused to blame the batsmen but instead chose to lament the “lack of overs” in the innings, perhaps forgetting that Pakistan managed to bat for the entire 50 overs in both losses.

“Our batting wasn’t weak,” he said. “In fact, we had a really strong batting line-up. The problem was the lack of overs and because of that we couldn’t score enough runs [against India] but we tried our best.”

By opting out of the Champions Trophy, Yousuf looks set for a long break from international cricket and is hoping that the PCB can put an end to the IPL-ICL saga that currently hounds him in the meantime.

“When I opted out of the ICL and signed for IPL, the board told me they will take care of everything and that I will be cleared to play in the IPL. However, as we all know, that is yet to be done. I don’t have anything on me, I passed on all details to the board and he probably has more updates on the situation that me,” Yousuf said.

“I cant’ understand why its taking so long after what I was told initially and now I don’t even know whether I’ll be able to play in the next edition of IPL or not, especially after they [the board] told me I have a three-year contract which will continue for that duration.”

Despite his problems and Pakistan’s poor show of late, Yousuf refused to blame the team management and predicted a much-improved performance in the Champions Trophy, shrugging aside claims of a change at the helm.

“We have home advantage and a good team and due to that I think we will perform well in the Champions Trophy.”


© Faras Ghani 2008
Published in Dawn newspaper Jul 17, 2008

Wimbledon Fashion Week: Championing couture

lt wasn’t just the tennis courts in SW19 that became a point of interest in the second week of the Wimbledon championships. A hotel at five minutes’ drive bore a few similarities; both had people queuing to enter and both had beautiful ladies and gents showing off their skills while onlookers applauded in awe.

Although not attracting visitors from all corners of the globe, the inaugural Wimbledon Fashion Week did manage an avid interest, not only from the visitors but also designers (USA, France, Kenya and Pakistan showcasing with the locals) and the multi-ethnic and multi-talented models.

Mouillé’s beachwear, Omar Mansoor’s couture, Dakou’s street fashion, Tapti Tapan’s Indian-inspired length dresses and PK Del Mar’s sari fabric-ed desi attire became huge success among a showcase of over 35 designers.

The lack of intensity in the make-up and choreography left much to be desired during the initial phase, but amends were aptly put on the plate via unique catwalk routines — including dancing and children onstage during the concluding performances.

Terming it a great success personally, Omar, the sole Pakistani designer on the entrée, was overwhelmed by the agglomerate of appreciation of his Culture to Couture, designed exclusively for WFW. Rightly so as his graceful blend of Asian knowledge and western exposure proved to be an outstanding success.

Inspired by Dr Ayaz (of Reet boutique) and Teejays, Omar took up fashion designing 10 years ago. His detour from the traditional sari and shalwar kameez may well prove to impress enthusiasts beyond the length of the event. The fact that none of his shows at WFW included a single desi model was an indication of how well his adaptation was drafted and appreciated. And he owed it much to his arrival in London three years ago.

“London has taught me so much,” Omar said. “If I had designed clothing for the event sitting in Lahore, it would’ve been near impossible to come up with something to satisfy the western audience.

“I got a favourable response, hugely favourable in fact, and I am planning to carry on my journey based in London, increase my knowledge of the world of fashion and hopefully deliver more goods in the near future,” he added.

As the six-day long event rounded off with the Miss Wimbledon 2008 award, a rounding applause — although not on the same scale as its predecessors, the London Fashion Week as well as Graduate Fashion Week — was an apt appreciation of the backstage staff that helped to make the event worth attending.

© Faras Ghani 2008
Published in Images (Dawn newspaper) Jul 13, 2008

The café with a difference

The construction-ridden and ever-narrowing streets of Zamzama now have another hotspot to boast of -– Olé, the latest entry in the world of cafes and restaurant.

Located in Lane 6, right opposite an empty plot, much to the delight of the customers looking for a convenient parking spot, the café offers a simple and elegant, all-wooden –– bar the windows –– entrance, that sets it apart from the existing all-glass facades that many eateries have adopted.

The lighting is neither dark enough for it to be mistaken for a posh restaurant, nor bright enough to be taken as a teen hangout –– and the seating arrangement limits the crowd to easily manageable groups, both in terms of numbers and sound levels. Since the clientele comprises of all age groups, the seating includes regular tables and chairs as well as cushioned benches.

The eatery caters to diners and coffee-lovers combined, and business hours are from lunchtime to just past midnight. Its fancy, colourful menu proved to be an extensive one; offering everything from nachos to steaks, burgers, Italian offerings, sandwiches and desserts. In the beverages section the menu included both lattes and cappuccinos –– including flavoured versions of both –– as well as iced substitutes, milk-based and soft drinks.

While the complementary offering of garlic bread was not the best start to the afternoon, as it lacked the garlic spirit and zest, the nachos, complemented by the pepper dip, made up for them, as did the fries.

The main course, in the form of the chimichanga –– pastry filled with chicken, cheese and a healthy, and generous, serving of vegetables –– and steak Olé, accompanied by a variety of steak sauces, arrived on-stage; the appetising aroma made us dive in straight away.

The chimichanga tasted more of cheese than anything else, but the serving was generous enough to fill one’s stomach, even if a day’s fast preceded the meal, and the salsa-type sauce definitely enhanced the taste. Do make a note that, in a similar manner to steaks, the chimichanga must be eaten hot or will become decidedly unappetising. Steak Olé lacked the a uniform level of cooking essential for steaks, however, with its serving of vegetables and potatoes on the side, it made for a satisfactory meal; not sparkling but filling.

Coming to the desserts selection, we were faced with quite a variety to choose from and decided to go with the vanilla mint blast, since it carried a “must try” tag, and a blueberry cheesecake. As we waited to be served we took in the ambiance and the music, which was on the loud side, considering the café’s target age-range. However, we did not get too much time to savour the surroundings as the service was quick and our dessert was soon on the table.

While the mint in the mint blast was on the lighter side, the scrumptious cheesecake, with a healthy amount of blueberries, was an apt end to a good meal.

On a separate visit, we decided to sample the coffee and a walnut brownie with vanilla ice cream. While it took 35 minutes for the coffee to arrive –– owing to machinery breakdown –– the walnut brownie, laden with chocolate syrup, made the long wait worthwhile. The latte, (made from Indian beans as we were told) although on the lighter side, was a welcome sight, especially as it boasted just the right amount of froth (unlike most outlets in Karachi) and tasted divine with the brownie.

Overall, the eatery could very well prove to be a major hit on Zamzama, not only due to its friendly and (mostly) quick service, but also the range offered on the menu, and their coffee. Although pricewise it is at par with the majority of the restaurants in the area, the entire experience makes it worthwhile.

© Faras Ghani 2008
Published in The Review (Dawn newspaper) Jun 5, 2008

Where's the passion?

‘The Return of the Aunty Disco Project’ failed to live up to its hype

Aunty Disco Project (ADP) have this annoying habit of leaving the attendees of their concerts in fits, at times undergoing non-stop head-banging routines while they deliver pure rock satisfaction on-stage.

It had always been the case of wanting more as the performance reaches closure time. But perhaps it was the rather solemn, culpable crowd at Indus Valley School (IVS) or maybe a new — albeit temporary — lineup that the ADP had brought on their last weekend’s performance that left many craving for a spark of brilliance to light up the night.

Organised by the school’s alumni, the concert witnessed the forced absence of Imran Lodhi (abroad due to academic commitments) but saw Ali Alam deputise for him yet again as well as Miqdad featuring as a guest saxophone player. Sound checks and dummy runs were undertaken as the Karachi crowd, notorious for delaying every single concert, trickled in and settled down on the lawns (note to ADP: Never have your audience sit down for your concerts, it makes for a dull environment). And with not much happening, the band got involved in some promotion of their own — interviews, selling t-shirts and their recently-launched album — while undertaking social commitments.

World-weary of the waiting act, ADP set about the virtuous act of running onstage and as Yasir Qureshi, the master darbukian, settled down nicely under a silver-strapped black hat, Omar Bilal Akhtar (OBA) announced that the night had officially begun. Muted response and applause was audible at best as the ADP started with a cover to get the crowd moving, and moved into Girta Nahin Mein.

Sensing that all was not well with the excitement levels in the crowd, and that the fervour levels had to be notched up several times, OBA threatened not to carry on with the act unless the crowd set up camp right in front of the stage, standing up instead of half-lying on the grass. The obedient obliged and while the majority remained on their backs for Shehr Kay Aansoo and what followed, the fervent followers ensured the settings of a rock concert were in effect.

And as Sultanat (arguably ADP’s catchiest and widely-appreciated tune) arrived, albeit with a reworked intro, the mercurial crowd suddenly breathed a new life and belied their inert presence till then. It was a good time for Ali Alam and OBA to swap places as the latter rested his effectively overworked vocal chords. Ali proved to be an effective change on the mic, not because OBA failed to work his magic but because a mild rest was required from a heaving performance, and the fact ADP had a second stint waiting.

The event also allowed ADP to show off a collection of their new songs from the second album that they had already started work on. According to Qureshi, the great response on the launch of their first album had them working on a sequel straight away. “We have come up with six to seven songs already and we are aiming towards good rock songs that have a punk rock element to them. Even the covers we play at events, we try and change them according to our music and our preference and include a bit of ADP into them,” he said.

“We played a couple of new songs at the event to see how they fare in performances and to get the audience’s response. We don’t want to deviate much from the type of music we make but, in short, you will see more Sultanat type of music in the future.”

While the darbuka received the beating of its lifetime, and the applause in return, the event as a whole failed to impress much, perhaps due to the high standards of performance ADP has set in the past or maybe the crowd involvement.

Omar Khalid (OK), as always, was at his best with the sticks, although he kept up the trend of losing drumsticks while playing (he has done that in every single concert I have attended). Miqdad was a welcome addition to the night’s lineup. Although he remained a bystander for the majority of the performance, the instances where he did show his art remained a treat, and rather impressive at the way the saxophone blend in with the rockness that was the duo of OBA and OK.

Unlike previous ADP concerts, there was not to be a solo stint in the middle of a song, although Qureshi and OK did manage to squeeze in a tiny bit. Surprisingly, it was the darbuka that won my award for the night.

The apt delivery of Sultanat and Ali’ Hum Na Rahe breathed life into an otherwise soggy crowd interaction. While Ali only delivered a couple of his songs, his delivery on bass remained impeccable and considering he is not a permanent member, an immaculate conflate was witnessed.

As the event drew close, OBA may have perhaps been the most disappointed man on the planet; his ever-increasing energy levels, numerous efforts to get the crowd going and faultless delivery failed to turn a decent performance into a spectacular one.

© Faras Ghani 2008
Published in Images (Dawn newspaper) Jun 1, 2008